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| Cristina Spinei has been
called one of the most talented young composers in
America by Grammy award winning composer/conductor
Jose Serebrier. At 24, Ms. Spinei is in demand from
choreographers, film directors, and musicians. Her
compositions have been commissioned by Pacific Northwest
Ballet, the New York Choreographic Institute, Mary
Seidman and Keystone Dancers, the Metropolis Ensemble,
the ETA3 Trio, the Ebony Strings Quartet, St. Johns
Church, Treetops Chamber Music Society, London Central
School, and by Jazz at Lincoln Center saxophonist Victor
Goines. Ms. Spinei is composer-in-residence of The Metropolis Ensemble. She is the recipient of the Composition Award from the Arts Recognition and Talent Search, the Pia Gilbert Scholarship, and the Marvin Hamlisch Scholarship in Composition. Spinei has been a finalist for the Sackler Composition Prize and the Sundance Composers Lab. Ms. Spinei received her BM and MM in composition from the Juilliard School. Looking ahead, Ms. Spineis music will be performed at the Pacific Northwest Ballet in November. Her piece, MPulse, is being choreographed by PNB dancer/choreographer Kiyon Gaines. Spineis full-length ballet, MAMA, will be premiered at LaMama Theater with Mary Seidman and Keystone Dancers in December 2008. April 2009 For more information, please visit www.cristinaspinei.com |
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Three Sonnets for soprano,
clarinet and piano is written on Petrarch's verse, which
I feel is so lyrical that adding music to it comes
naturally. The clarinet represents the voice of Petrarch,
while the soprano is a representation of Laura, the woman
for whom Petrarch composed the sonnets. The clarinet
often echoes the soprano line, mirroring Petrarch's
distant longing for Laura. |
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| Three Sonnets
features Soprano Gwendolyn Hillman: "Gwendolyn Hillman sings with warmth, strength and gracefulness. Hers is a voice that truly matters, and deserves international attention. Opera News |
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